In the beginning no bird sang

The book summarizes a photo, video, and sound installation that meant to investigate the dynamics between human, urban, natural, private, and public spaces. As a way to explore IJburg, a new neighborhood in Amsterdam built on artificial islands, Lopez befriended Jean, a local man who is blind. She accompanied him for eighteen months, walking across IJburg and listening to the birds. The book contains color photographs, images based on the sounds, a statement from Jean, and online media that can be linked to items in the book through the downloadable Layar app. Features text by Bo Tarenskeen. S... Mehr ...

Verfasser: López, Anaïs Galanne
Dokumenttyp: StillImage
Erscheinungsdatum: 2013
Verlag/Hrsg.: Anaïs Lopez
Schlagwörter: Artists' books--Amsterdam / Photography of birds--Netherlands--Amsterdam / IJburg (Amsterdam / Netherlands)--Pictorial works / Photography / Artistic / López / Anaïs Galanne--Exhibitions / Multimedia (Art)--Netherlands--Amsterdam--21st century--Exhibitions / Conceptual art--Netherlands--Amsterdam--21st century--Exhibitions / Netherlands)--In art--Exhibitions / Amsterdam Centre for Architecture
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-27594157
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://digitalcollections.saic.edu/islandora/object/islandora%3Ajfabc_9053

The book summarizes a photo, video, and sound installation that meant to investigate the dynamics between human, urban, natural, private, and public spaces. As a way to explore IJburg, a new neighborhood in Amsterdam built on artificial islands, Lopez befriended Jean, a local man who is blind. She accompanied him for eighteen months, walking across IJburg and listening to the birds. The book contains color photographs, images based on the sounds, a statement from Jean, and online media that can be linked to items in the book through the downloadable Layar app. Features text by Bo Tarenskeen. Softcover with six different dust jackets and a bookmark.; Signed and numbered by the artist; the collection has copy 392 of 500.