1.
Rubens as a Painter of Epitaphs, 1612-1618
2.
Why Connoisseurship Matters
La "Danza de aldeanos" de Rubens en el Prado
Los retratos de Van Dyck en el Prado: las connexiones españoles y flamencas
A Source for Rubens's Modello of the Assumption and Coronation of the Virgin in Leningrad: A Case Study in the Response to Images
Painting and the Counter Reformation in the Age of Rubens
The Representation of Martyrdoms During the Early Counter-Reformation in Antwerp
Zu den Märtyrerbildern Antwerpens im späten 16. Jahrhundert
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Memory in Art: History and the Neuroscience of Response
Allusion and Topicality in the Work of Pieter Bruegel the Elder: The Implications of a Forgotten Polemic