Occult knowledge and sacred geometry. A new interpretation of a portrait of Rubens and his son from the Hermitage Museum

This paper explores the diversity and complexity of Rubens’s humanist interests and illustrates his appropriation of learned and esoteric knowledge, by discussing the anonymous painting in the Hermitage Museum in St. Petersburg in which Rubens is portrayed together with his son Albert. This portrait also depicts a sculpture from Rubens’s collection, that of Hecate Triformis, who in antiquity was considered to be a goddess of the underworld. By focusing on the books, manuscripts, Gnostic gems, and the Hecate statue from the artist’s collections, this paper will provide a new iconographic analys... Mehr ...

Verfasser: Teresa Esposito
Dokumenttyp: Artikel
Reihe/Periodikum: Jaarboek de zeventiende eeuw
Verlag/Hrsg.: Leiden, Werkgroep Zeventiende Eeuw
Sprache: Niederländisch
ISSN: 0921-142X
Weitere Identifikatoren: doi: 10.18352/dze.10130
Permalink: https://search.fid-benelux.de/Record/olc-benelux-1995019186
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Datenquelle: Online Contents Benelux; Originalkatalog
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Link(s) : http://dx.doi.org/10.18352/dze.10130
http://dx.doi.org/10.18352/dze.10130