The article is devoted to the realization of unique practical methods of restoration of decorative and applied art objects, which is a significant work in cultural heritage preservation because the topic is practically inexhaustible, both for researchers, art historians and for restorers-performers. The subject of the study was household garden gilded furniture of Russia of the 19th century. The project aimed to return the garden chair to the exhibition form for further use in the museum halls, as an object of 19th-century garden furniture art. To understand the restoration problems of the kind of furniture, the author of the article turned to the researchers’ publications devoted to the aspects of the creation, decoration and restoration of 19th-century furniture. The author presents in detail the stages of furniture restoration. As well as the technologies used for this type of restoration work. As a result of the comprehensive restoration of the garden chair with rattan, the master restorer acquired a certain useful theoretical knowledge of the topic and practical experience of working with the decorative and applied art subject, which had only characteristic features of its technical condition and methods of working to return the chair to its aesthetic and exposition appearance. The materials presented in the article will be useful for practising restorers and novice young professionals.