The Oxford Marston and The Dutch Courtesan
This paper situates the play in the context of the ongoingComplete Works of John Marston, under preparation for Oxford University Press, the first such collected critical edition ever to have been created. It discusses the edition’s aims and working practices as well as the new picture of Marston we expect to emerge from it.Scholars nowoften encounter The Dutch Courtesanin isolation, as Marston’s single best-known and most-read play. This paper approaches the play in the context of Marston’s career and publication history as a whole, in addition to the textual and theatrical relationships whic... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2020 |
Verlag/Hrsg.: |
McMaster University
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Schlagwörter: | John Marston / Dutch Courtesan / Oxford Marston |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-29412103 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://earlytheatre.org/earlytheatre/article/view/4172 |
This paper situates the play in the context of the ongoingComplete Works of John Marston, under preparation for Oxford University Press, the first such collected critical edition ever to have been created. It discusses the edition’s aims and working practices as well as the new picture of Marston we expect to emerge from it.Scholars nowoften encounter The Dutch Courtesanin isolation, as Marston’s single best-known and most-read play. This paper approaches the play in the context of Marston’s career and publication history as a whole, in addition to the textual and theatrical relationships which work on the edition is gradually coming to disclose.