Bartholomäus van Bassen bis Emanuel de Witte - das Grabmal Wilhelms von Oranien und seine bildliche Inszenierung
This paper demonstrates that in the years 1650 to 1670 the tomb of William I. and its representation within the Dutch church interior of the 17th century evolved into a widespread motif in pictures. The political background during the building activities of Hendrick and Pieter de Keyser was formed by the armistice, which was agreed upon in 1609 and which lasted twelve years. The period marked by the lack of a governor from 1650 to 1672, which was caused by the misdeeds of William II., formed the political as well as the historical frame in which the painters Houckgeest, van Vliet and de Witte... Mehr ...
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Dokumenttyp: | doctoralThesis |
Erscheinungsdatum: | 2010 |
Verlag/Hrsg.: |
Publikationsserver der RWTH Aachen University
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Schlagwörter: | info:eu-repo/classification/ddc/750 / Delft / Delft / Nieuwe Kerk / Niederlande / Generalstaaten / Oranien / Grabmal / Perspektive / Fama / Kircheninterieur / Inszenierung / libertas / Oranje-Nassau / Willem van (1533-1584) / Houckgeest / Gerard / Witte / Emanuel de / Keyser / Hendrik de / Malerei / Bassen / Bartholomäus van / Vliet / Hendrick van / Delen / Dirck van / Vater des Vaterlandes / statthalterlose Periode / Orange / William of / tomb |
Sprache: | Deutsch |
Permalink: | https://search.fid-benelux.de/Record/base-29229717 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://publications.rwth-aachen.de/record/49874 |