Photography and the Making of a Popular, Colonial Monarchy The Netherlands East Indies during Queen Wilhelmina’s Reign (1898-1948) Public celebrations in the Dutch East Indies (colonial Indonesia) for the House of Orange during Queen Wilhelmina’s reign were of an historically unprecedented scale and frequency, regularly attended by large crowds and reported in newspapers. Scholars typically emphasize the leading role of colonial elites in orchestrating these festivals, and the symbolic importance of the monarchy as a conservative institution that bound the colony to the metropole. The agency of spectators and non-elite participants, and the extent to which a popular ‘oranjegevoel’ (Orange-sentiment) can be said to have existed in the colonies, remains to be demonstrated. This article uses a range of popular photographic sources – amateur photographs in personal albums, and published photographs of the Dutch monarchy in private collections as well as commemorative books – to examine the meanings that ordinary people in the Indies derived from engaging with the House of Orange through images. Susie Protschky argues that, for many Indies residents, photographs of royal celebrations and the Dutch monarchy enabled the cultivation of transnational networks and cosmopolitan identities, and integrated international events into colonial and family histories. Fotografie en de wording van een koloniale ‘volksmonarchie’. Nederlands-Indië ten tijde van koningin Wilhelmina (1898-1948) Openbare Oranjefeesten in Nederlands-Indië waren tijdens de regering van koningin Wilhelmina van een historisch ongekende omvang en frequentie. De feesten werden regelmatig bijgewoond door een groot publiek en er werd over geschreven in de kranten. Historici benadrukken meestal de leidende rol van de koloniale elite tijdens de organisatie van deze vieringen of de symbolische betekenis van de monarchie als een conservatieve instelling die de banden tussen kolonie en het moederland versterkt. De rol van toeschouwers, deelnemers aan deze feesten ...