Andrei Matveev: Painting Allegory from Antwerp to Russia

In 1725, artist Andrei Matveev sent his Allegory of Painting to Catherine I from Antwerp, where Peter the Great had sent him to study. Matveev’s Allegory remains the earliest known easel painting on an allegorical subject by a Russian painter. This article examines the circumstances surrounding the painting’s creation in Antwerp and explores its iconography and sources. It then considers the place of Matveev’s work amid the allegorical imagery produced in early eighteenth-century Russia. This study offers a possible new interpretation of the painting and sheds light on the role Antwerp and its... Mehr ...

Verfasser: Margaret Samu
Dokumenttyp: Artikel
Erscheinungsdatum: 2024
Reihe/Periodikum: Вивліоѳика, Vol 11 (2024)
Verlag/Hrsg.: Illinois Open Publishing Network
Schlagwörter: Andrei Matveev / painting / allegory / history painting / portraiture / art academies / hierarchy of genres / study abroad / Minerva / allegory of painting / Peter I / Catherine I / Russia / Netherlands / Antwerp / History of Russia. Soviet Union. Former Soviet Republics / DK1-4735
Sprache: Deutsch
Englisch
Französisch
Italian
Russian
Permalink: https://search.fid-benelux.de/Record/base-29168228
Datenquelle: BASE; Originalkatalog
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Link(s) : https://doi.org/10.21900/j.vivliofika.v11.1420

In 1725, artist Andrei Matveev sent his Allegory of Painting to Catherine I from Antwerp, where Peter the Great had sent him to study. Matveev’s Allegory remains the earliest known easel painting on an allegorical subject by a Russian painter. This article examines the circumstances surrounding the painting’s creation in Antwerp and explores its iconography and sources. It then considers the place of Matveev’s work amid the allegorical imagery produced in early eighteenth-century Russia. This study offers a possible new interpretation of the painting and sheds light on the role Antwerp and its artistic legacy played in fostering Russia’s emerging artistic culture.