Paul Bril, Wenzel Cobergher, Jacob Frankaert I, Willem I van Nieulandt y los ermitaños de Pedro de Toledo, V marqués de Villafranca
In February 1601, Don Pedro de Toledo, fifth marquis of Villafranca, contracted in Rome the Flemish painters Paul Bril, Wenzel Cobergher, Willem I van Nieulandt and Jacob Frankaert to carry out two large series of paintings, one of eremites and another one of «Huomini Illustri». This article explains that thirty paintings belonging to the series of the anchorites remain in the La Anunciada Monastery of Villafranca del Bierzo and follows the story of their making and arrival to Spain. The author studies the works in relation to the context of Paul Bril’s conception of landscape in the final yea... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2007 |
Verlag/Hrsg.: |
Universitat Autònoma de Barcelona
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Schlagwörter: | Pintura flamenca -- S. XVI-XVII / Painting / Flemish -- 16-17th centuries |
Sprache: | Spanish |
Permalink: | https://search.fid-benelux.de/Record/base-29061354 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | http://hdl.handle.net/10256/10820 |
In February 1601, Don Pedro de Toledo, fifth marquis of Villafranca, contracted in Rome the Flemish painters Paul Bril, Wenzel Cobergher, Willem I van Nieulandt and Jacob Frankaert to carry out two large series of paintings, one of eremites and another one of «Huomini Illustri». This article explains that thirty paintings belonging to the series of the anchorites remain in the La Anunciada Monastery of Villafranca del Bierzo and follows the story of their making and arrival to Spain. The author studies the works in relation to the context of Paul Bril’s conception of landscape in the final years of the sixteenth Century ; En febrero de 1601, Don Pedro de Toledo, quinto marqués de Villafranca, contrató a Paul Bril, Wenzel Cobergher, Willem I van Nieulandt y Jacob Frankaert I, pintores flamencos residentes en Roma, para la realización de una serie de pinturas de ermitaños y una de «Huomini Illustri». El artículo explica que treinta de las pinturas con anacoretas se han conservado en el monasterio de la Anunciada de Villafranca del Bierzo y las analiza en el contexto de la concepción del paisaje del Paul Bril de finales del siglo XVI