Jan van Eyck is famous for mastering the technique of oil painting and his meticulously detailed style inspired many other artists, during his own lifetime as well as during later centuries. An example of his particular style, often described as exhibiting a “microscopic-telescopic vision,” is the Annunciation painted sometime between 1434 and 1436. This image, probably originally the left wing of a triptych, depicts the angel Gabriel, with his characteristic rainbow-colored wings, announcing the sacred news to the humble and accepting Virgin. In addition to their ability to awaken devotion, these artworks were also didactic tools and they visually explained some of the complex theological concepts. This work fulfills both of these functions and its sophisticated theological symbolism is characteristic of van Eyck’s works. The architectural setting can be understood to represent the transition from the Old to the New Testament that begins with Mary’s conception. This is manifested in the shift from the Romanesque round-arched windows of the upper level to the early Gothic pointed arches on the lower story as well as in the floor tiles that depict scenes from the Old Testament that are believed to herald the coming of the Messiah: David slaying Goliath and Samson demolishing the temple of the Philistines. Furthermore, the triple windows symbolize the Trinity and the rays of light streaming through its panes toward the Virgin symbolize the Immaculate Conception; they penetrate the glass without breaking it. Van Eyck excelled at producing naturalistic images and here he created the illusion of three-dimensional space and figures and natural lighting. He had the remarkable ability to portray convincing textures of various objects, such as the soft petals of the lilies symbolizing Mary’s purity and the luminous glass windows. ; 35 1/2 x 13 7/16 in.