“der sagata mir ze wara”: Iceland in the Merigarto
The Old High German fragment known as Merigarto contains a description of Iceland that entwines ancient literary with modern oral data. Scholars have repeatedly tried to verify the originality and reliability of the data from a historical point of view. However, the question of authenticity is also a literary one, which is posed by the author himself and solved in a way that foreshadows usages in later Latin and vernacular exempla. The most innovative literary aspect of the passage dealing with Iceland can be found in a few lines in which the poet guarantees the authenticity of Iceland’s mirab... Mehr ...
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Dokumenttyp: | bookPart |
Erscheinungsdatum: | 2020 |
Verlag/Hrsg.: |
Ledizioni
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Schlagwörter: | cultura / lingue nordiche / letteratura nordica / Scandinavia / università / università di Milano / culture / nordic languages / nordic literature / University / University of Milan / langues nordiques / littérature nordique / Scandinavie / université / université de Milan / LIT004250 / Literature German Dutch Scandinavian / DSB |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-28999643 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | http://books.openedition.org/ledizioni/7895 |
The Old High German fragment known as Merigarto contains a description of Iceland that entwines ancient literary with modern oral data. Scholars have repeatedly tried to verify the originality and reliability of the data from a historical point of view. However, the question of authenticity is also a literary one, which is posed by the author himself and solved in a way that foreshadows usages in later Latin and vernacular exempla. The most innovative literary aspect of the passage dealing with Iceland can be found in a few lines in which the poet guarantees the authenticity of Iceland’s mirabilia by briefly describing his oral source, a cleric, and the events that led to their meeting. The brief presence of a homodiegetic narrator is an important stage in the development of the author’s self-consciousness in medieval German literature.