The COVID-19 pandemic and subsequent lockdown has drastically transformed the urban topography and rhythms of the Dutch cities, both in the streets and when “seen from the window” (Lefebvre 1992/2004, 27). Windows and balconies, the liminal spaces where the private and public meet and depart, have become sites not only to “gaze from” but also to “gaze at”. Teddy bears, children’s drawings and letters, white T-shirts with red hearts hanging on/from the windows, as well as flags fluttering from balconies, all contributed to transforming this retracted border of cityness into a political space of communication. Similarly, the windows of commercial spaces have turned into message boards of unity and solidarity, with posters at once inviting customers to support local businesses and boosting feelings of locality.