Painting the Mundane: An Examination of the Life and Career of René Magritte
Title from PDF of title page, viewed on August 28, 2014 ; Thesis advisor: Frances Connelly ; Vita ; Includes bibliographical references (pages 90-99) ; Thesis (M. A.)--Dept. of Art and Art History. University of Missouri--Kansas City, 2014 ; This thesis explores the important role René Magritte's biography plays in relation to his work as a painter. His works were primarily inspired by his middle class lifestyle and upbringing, something that was uncommon among the Surrealists. He is largely associated with the Surrealist movement of the 20th century, although he primarily worked without speci... Mehr ...
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Dokumenttyp: | Abschlussarbeit |
Erscheinungsdatum: | 2013 |
Schlagwörter: | Magritte / René / 1898-1967 / Painters -- Belgium -- Biography / Surrealism -- Belgium / 1898-1967 -- Criticism and interpretation / Thesis -- University of Missouri--Kansas City -- Art and art history |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-28944044 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | http://hdl.handle.net/10355/43701 |
Title from PDF of title page, viewed on August 28, 2014 ; Thesis advisor: Frances Connelly ; Vita ; Includes bibliographical references (pages 90-99) ; Thesis (M. A.)--Dept. of Art and Art History. University of Missouri--Kansas City, 2014 ; This thesis explores the important role René Magritte's biography plays in relation to his work as a painter. His works were primarily inspired by his middle class lifestyle and upbringing, something that was uncommon among the Surrealists. He is largely associated with the Surrealist movement of the 20th century, although he primarily worked without specific allegiance to an artistic group. A thorough examination of his life sheds light on his uncharacteristically un-avant garde lifestyle. His rejection of luxury and excess were in contrast to the fortune and notoriety sought by some of his contemporaries. While other Surrealists desired to live the bohemian, artistic lifestyle expected by the public, Magritte rebuffed the notion and aimed to live as an anonymous bourgeois man. The effect Magritte's biography had on his work is examined through his career as a commercial artist, his use of the Bowler-Hatted man, and his influence on the 1960s Pop Art movement. The relationship between biography and work is made by René Magritte's own words, those of his colleagues and contemporaries, and several noted scholars of Magritte ; College of Arts and Sciences ; Abstract -- List of illustrations -- Acknowledgments -- Introduction -- Overview -- Magritte and advertising -- The Bowler-hatted man -- Magritte and pop art -- Conclusion -- Images -- Bibliography and works consulted ; monographic