La plus que mère, La Cérémonie des poupées and La Maison de l’âme, the trilogy of the Belgian writer and ethnologist Chantal Deltenre – published in the first decade of the 21st century, illustrates post-modern religiosity, the main characteristics of which are diversity, syncretism and relativism. The search for sacrum is supposed to be a kind of initiation journey undertaken mostly by lost and uprooted individuals. It is a search for a safe and meaningful space (place), which is not just the opposite of the shapeless and meaningless world of profanum, but also one that allows to build one’s own identity. ; La plus que mère, La Cérémonie des poupées and La Maison de l’âme, the trilogy of the Belgian writer and ethnologist Chantal Deltenre – published in the first decade of the 21st century, illustrates post-modern religiosity, the main characteristics of which are diversity, syncretism and relativism. The search for sacrum is supposed to be a kind of initiation journey undertaken mostly by lost and uprooted individuals. It is a search for a safe and meaningful space (place), which is not just the opposite of the shapeless and meaningless world of profanum, but also one that allows to build one’s own identity.