The Corporeal Dynamics of Choreomusical Interactions in sabar Dance Events
The sabar dancing and drumming in Senegal takes several forms, but in most performance contexts improvisatory dancing and the interaction of dance and music are central. Both dancers and musicians refer to the knowledge about the tradition, the dance rhythms in particular, as the common ground for dance-music interactions. However, what appears to be central is also a certain kind of tension, or "intensity" to use Nketia's (1988) term, which enables and motivates this connection, in addition to the shared knowledge of dance movements, their accompanying rhythms and the habitual relations betwe... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2021 |
Verlag/Hrsg.: |
VWB - VERLAG FÜR WISSENSCHAFT UND BILDUNG
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Schlagwörter: | Theatre / dance / music / other performing arts / choremusicology / corporeality / interaction / intensity / dynamics / Senegal / wolof / movement analysis |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-28838793 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | http://hdl.handle.net/10138/332193 |