Droom van helderheid. Huisstijlen, ontwerpbureaus en modernisme in Nederland, 1960-1975
In the 1960s, companies such as KLM, energy group SHV, supermarket chain Albert Heijn, the Dutch National Railways (NS) and chemical giant DSM were the first to introduce corporate identities in the Netherlands. These identities were the visual manifestation of the modern and industrial nation that the Netherlands had become after World War II. As such, they had a major influence on the look of society. Surprisingly, the development and proliferation of corporate identities has not been studied before. I have researched the development of corporate identity in the Netherlands by analyzing a nu... Mehr ...
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Dokumenttyp: | Dissertation |
Erscheinungsdatum: | 2009 |
Verlag/Hrsg.: |
Utrecht University
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Schlagwörter: | Specialized histories (international relations / law) / Literary theory / analysis and criticism / Culturele activiteiten / Overig maatschappelijk onderzoek |
Sprache: | unknown |
Permalink: | https://search.fid-benelux.de/Record/base-28729702 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://dspace.library.uu.nl/handle/1874/33845 |
In the 1960s, companies such as KLM, energy group SHV, supermarket chain Albert Heijn, the Dutch National Railways (NS) and chemical giant DSM were the first to introduce corporate identities in the Netherlands. These identities were the visual manifestation of the modern and industrial nation that the Netherlands had become after World War II. As such, they had a major influence on the look of society. Surprisingly, the development and proliferation of corporate identities has not been studied before. I have researched the development of corporate identity in the Netherlands by analyzing a number of case studies of the period between 1960 and 1975. My focus was on the argumentation used by design agencies and companies in the development and presentation of corporate identities. Because of the general lack of literature on this subject, I have used mainly primary sources such as archive material and interviews. The best-known identities were designed by Dutch design agencies like Tel Design (1962) and Total Design (1963). These agencies had a positive attitude towards the industry, which they thought responsible for the great technological progress and prosperity after the war. Using a modernistic design approach, designers hoped to achieve an efficient visual communication that could benefit society as a whole. They believed that corporate identity could bring out the existing order in society and enhance efficiency. At the same time, the management of Dutch firms gradually became aware that a good ‘corporate image’ was necessary for a favorable position on the market. A major influence on this view was the rise and acceptation of new American management and marketing methods. In parallel with this development, lower-level employees were confronted with practical problems regarding a uniform use of company logos. Together with design agencies, they convinced company directors that a modern-looking corporate identity could solve their problem, and, more importantly, that it would could have a positive effect on ...