Lore of the Studio: Van Dyck, Rubens, and the Status of Portraiture
This dissertation offers a new interpretation of Anthony van Dyck’s art and career, taking as its point of departure a body of contemporary anecdotes, poems, and art theoretical texts that all responded to Van Dyck’s portrait sittings. It makes a decisive break with previous scholarship that explained Van Dyck’s focus on portraiture in terms of an intellectual deficit or a pathological fixation on status. Instead, I argue that throughout his career, Van Dyck consciously made the interaction between painter and sitter a central theme of his art. Offering an alternate account of Van Dyck’s relat... Mehr ...
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Dokumenttyp: | Theses |
Erscheinungsdatum: | 2016 |
Schlagwörter: | Portrait painting / Painting / Flemish / Art / Rubens / Peter Paul / 1577-1640 / Van Dyck / Anthony / 1599-1641 / Warhol / Andy / 1928-1987 / Neel / Alice / 1900-1984 / Marie de Médicis / Queen / consort of Henry IV / King of France / 1573-1642 |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-28655774 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://doi.org/10.7916/D8SJ1KKQ |