Le Rubané en Belgique : nouvelle chronologie céramique et synchronisation avec les régions voisines

International audience ; This article presents a new relative chronology for the Linearbandkeramik (LBK) of the Meuse basin. Divided into six main phases, the sequence is based on analysis of decorated ceramics from sixteen sites in Belgium and two sites in Holland. Eleven of the Belgian sites are located in Hesbaye, the province with the densest LBK set-tlement. The other five sites form an outlying group in Hainaut, a little over 100 km to the west. The two Dutch sites are located in southern Limburg, about 50 km north-east of Hesbaye. Fine-ware ceramics were coded for rim, main and intermed... Mehr ...

Verfasser: Blouet, Vincent
Bosquet, Dominique
Constantin, Claude
Fock, Heike
Ilett, Michael
Jadin, Ivan
Klag, Thierry
Petitdidier, Marie-Pierre
Thomashausen, Laurent
Dokumenttyp: Artikel
Erscheinungsdatum: 2021
Verlag/Hrsg.: HAL CCSD
Schlagwörter: [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory
Sprache: Französisch
Permalink: https://search.fid-benelux.de/Record/base-28516797
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://hal.science/hal-03845466

International audience ; This article presents a new relative chronology for the Linearbandkeramik (LBK) of the Meuse basin. Divided into six main phases, the sequence is based on analysis of decorated ceramics from sixteen sites in Belgium and two sites in Holland. Eleven of the Belgian sites are located in Hesbaye, the province with the densest LBK set-tlement. The other five sites form an outlying group in Hainaut, a little over 100 km to the west. The two Dutch sites are located in southern Limburg, about 50 km north-east of Hesbaye. Fine-ware ceramics were coded for rim, main and intermediate decoration motifs, employing a classification system previously developed in work on the LBK in Lorraine, with particular attention paid to the various techniques used for impressed decoration. The new Meuse basin sequence was established using 165 assemblages containing at least eight decoration motifs, representing a total of 5 101 coded motifs. In a majority of cases, these assemblages were formed by grouping ceramics from lateral pits of houses. Correspondence analysis and hierarchical clustering were used to seriate the assemblages and to define phases and sub-phases. By comparing quantitative trends in decoration motifs, the new Meuse chronology can be synchronized with the Lang-weiler (Aldenhoven plateau), Lorraine and Seine basin LBK sequences, not only enabling a finer characterization of each regional style but also enhancing the view of interactions between the different groups in the study zone.During the early LBK, the period that sees the first settlements in Hesbaye and north Lorraine, the Flomborn style pre-vails throughout the Rhine basin. When this cultural entity breaks down, decoration evolves in each region in a different manner. In the middle LBK, the Langweiler area, Dutch Limburg and Belgium form a coherent complex, termed the Rhine-Meuse style, characterized by bands delimited by incised lines and filled with rows of point impressions, which is the majority decoration. In the Moselle basin, as ...