The series, a tool for the promotion and demarginalization of spaces? The case of Wallonia ; La série, outil de promotion et de démarginalisation des espaces ? Le cas de la Wallonie

International audience ; In 2013, the Walloon-Brussels Federation and RTBF created a series fund that aims to make French-speaking Belgium emerge as a land of series creation likely to appeal to an international audience. Wallonia, for a long time on the bangs of the geography of series, has become part of it and, since ‘La Trêve’ in 2016, has hosted multiple film shoots of works that could, beyond their economic and spatial effects, propose other forms of writing of the Walloon space and move the lines of representations associated with this territory often referred as 'in crisis'. ; La Fédér... Mehr ...

Verfasser: Marichez, Nicolas
Dokumenttyp: Artikel
Erscheinungsdatum: 2024
Verlag/Hrsg.: HAL CCSD
Schlagwörter: Series / Spatial representations / Margin / Film tourism / Audiovisual industry / Wallonia / Belgium / séries / représentation spatiale / marge / ciné-tourisme / industrie audiovisuelle / Wallonie / Belgique / [SHS]Humanities and Social Sciences
Sprache: Französisch
Permalink: https://search.fid-benelux.de/Record/base-27683473
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://hal.science/hal-04475409

International audience ; In 2013, the Walloon-Brussels Federation and RTBF created a series fund that aims to make French-speaking Belgium emerge as a land of series creation likely to appeal to an international audience. Wallonia, for a long time on the bangs of the geography of series, has become part of it and, since ‘La Trêve’ in 2016, has hosted multiple film shoots of works that could, beyond their economic and spatial effects, propose other forms of writing of the Walloon space and move the lines of representations associated with this territory often referred as 'in crisis'. ; La Fédération Wallonie-Bruxelles et la RTBF créent en 2013 un Fonds Séries pour faire de la Belgique francophone un pôle de production de séries susceptibles de séduire un public international. La Wallonie, longtemps en marge de la géographie des séries, s’y intègre et accueille, depuis « La Trêve » en 2016, de multiples tournages d’œuvres qui pourraient, au-delà de leurs effets économiques et spatiaux, proposer d’autres formes d’écritures de l’espace wallon et faire bouger les lignes des représentations associées à ce territoire souvent perçu comme « en crise ».