Faith, fun and fear in the Dutch Orthodox Protestant milieu: Towards a non-cinema centred approach to Cinema History

Since the early 2000s, the New Cinema History has resulted in a growing interest in historical audiences and the socio-cultural dynamics of cinemagoing. A major impetus behind this move towards a social history of film culture was Richard Maltby’s call for an integration of cinema history and the general history of which it is part. In line with Maltby, this article proposes milieu-analysis as a method to situate research on film circulation and consumption more firmly in an analysis of its societal context. After a brief methodological reflection, it examines film culture in the Dutch Bible B... Mehr ...