sequences: . ; 100 days | One week | 12 going to 13
Three books of photography by Mémé Bartels, housed in a protective folder. The books are titled "One Week," "100 days," and "12 going to 13." From the artist: "Sequences is a complete exhibition in book form. It focuses on the notion that only the extraordinary seems to grasp our attention and it questions the continuous pursuit of quick success…'One week' was inspired by Thomas Mann, who believed that time was too precious to be squandered. I kept a diary and I asked myself: What color is today? I pictorialized what I did that day… In '100 days': For a hundred days, I took a picture of a sing... Mehr ...
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Dokumenttyp: | StillImage |
Erscheinungsdatum: | 2014 |
Verlag/Hrsg.: |
Sequence Publishers
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Schlagwörter: | Artists' books--Netherlands |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-27594148 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://digitalcollections.saic.edu/islandora/object/islandora%3Ajfabc_8550 |
Three books of photography by Mémé Bartels, housed in a protective folder. The books are titled "One Week," "100 days," and "12 going to 13." From the artist: "Sequences is a complete exhibition in book form. It focuses on the notion that only the extraordinary seems to grasp our attention and it questions the continuous pursuit of quick success…'One week' was inspired by Thomas Mann, who believed that time was too precious to be squandered. I kept a diary and I asked myself: What color is today? I pictorialized what I did that day… In '100 days': For a hundred days, I took a picture of a single plant in the garden, a camellia. In '12 going to 31', I portrayed the valuables of my son: mostly a toy gun, a stone, a pile of cut-up rubbers, a souvenir from the London Eye, a piggy bank, a whistle, a catapult, 2 undefined rubber objects, a trophy, a personalized stick, and a big glass marble."; The collection has copy 65 of 250. Signed and numbered by the artist.