‘Cultural encounters: Western scholarship and Fang statuary from Equatorial Africa’ [Inaugural address, delivered on the acceptance of an extraordinary professorship at Tilburg University, Netherlands, in 2011]

In this inaugural address, delivered on the acceptance of an extraordinary professorship at Tilburg University, Netherlands, in 2011, Wilfried van Damme examines three approaches that have been characteristically applied within the Western anthropology of art during the last half century. Illustrating these approaches with reference to the study of Fang statuary from equatorial Africa, he discusses a stylistic approach, focusing on anatomical details and proportions of Fang anthropomorphic sculptures; a culturalist approach, highlighting the local meaning and values these sculptures express; a... Mehr ...

Verfasser: Wilfried van Damme
Dokumenttyp: Artikel
Erscheinungsdatum: 2014
Reihe/Periodikum: Journal of Art Historiography, Vol 11, Pp 11-WvD1 (2014)
Verlag/Hrsg.: Department of Art History
University of Birmingham
Schlagwörter: African sculpture / Fang sculpture / historiography of African art studies / historiography of the anthropology of art / Arts in general / NX1-820 / Anthropology / GN1-890
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-27579365
Datenquelle: BASE; Originalkatalog
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Link(s) : https://doaj.org/article/1da49dae8cb646489f78aa06249f2e43

In this inaugural address, delivered on the acceptance of an extraordinary professorship at Tilburg University, Netherlands, in 2011, Wilfried van Damme examines three approaches that have been characteristically applied within the Western anthropology of art during the last half century. Illustrating these approaches with reference to the study of Fang statuary from equatorial Africa, he discusses a stylistic approach, focusing on anatomical details and proportions of Fang anthropomorphic sculptures; a culturalist approach, highlighting the local meaning and values these sculptures express; and a postcolonial approach, dealing with the Western appropriation and commodification of Fang statues.