A recepção criativa de “L’Étranger” em “Meursault, contre-enquête” de Kamel Daoud ; The creative reception of L’Étranger in Meursault, contre-enquête by Kamel Daoud

The present work proposes to develop a brief analysis of the different forms of interpretation of the work L’Etranger (1942) by the Franco-Algerian writer Nobel Prize for Literature Albert Camus. Based on the panorama of his critical fortune, we enter into the analysis two works directly influenced by Camus, namely the novel Meursault, contre-enquête (2014) by the writer Kamel Daoud and the song As caravanas (2017) by the Brazilian multiartist Chico Buarque de Hollanda. In this analytical path, we will enter into how postmodern parody and fictional testimony are fundamental points in the work... Mehr ...