An iconographic study of the engraving of the Consecration, the Flemish artist Abraham van Diepenbeeck
In this article we study a engraving from the workshop of flemish artist, Abraham van Diepenbeeck, who opened the engraver Mattheus Borrekens and published Martinus van den Enden the Elder, between the late 1640s and early 1650s. In the Courtland Institute of London is preserved a previus sketch of this engraving, which allows us to approach the analysis of the creative process of the engraving. In this engraving are expressed many of the doctrines that the Council of Trent established on the Eucharist is expressed, and at the same time, it tries to deal the position of Jansenism on the Sacram... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2017 |
Reihe/Periodikum: | Cuadernos de Arte de la Universidad de Granada, Vol 48, Iss 0, Pp 7-25 (2017) |
Verlag/Hrsg.: |
Universidad de Granada
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Schlagwörter: | Eucaristía / misa / Trinidad / Abraham van Diepenbeeck / Mattheus Borrekens / Martinus van den Enden / History of the arts / NX440-632 / Aesthetics of cities. City planning and beautifying / NA9000-9428 |
Sprache: | Spanish |
Permalink: | https://search.fid-benelux.de/Record/base-27476704 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://doaj.org/article/31c49fada7fc4996afecac35e1f72827 |