The European Approach to Propaganda confronted with the Realities of Colonial Africa

Through the comparison of the choices and the difficulties encountered by the British, Belgian and French colonizers when setting up propaganda systems, this article aims to define a transnational conception of the cinematographic medium. Indeed, the syntheses of the propaganda systems set up in Europe and the reports on the experiments carried out in the colonies reveal a number of recurring preconceptions: cinema as a vector of universally decipherable messages; cinema as a form of direct access to the viewer’s subconscious; cinema as a form of expression of a “European technological superio... Mehr ...

Verfasser: Vincent Bouchard
Dokumenttyp: Artikel
Erscheinungsdatum: 2020
Reihe/Periodikum: Mise au Point, Vol 13 (2020)
Verlag/Hrsg.: Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
Schlagwörter: British colonies / Belgian colonies / French colonies in Africa / propaganda systems / European preconceptions of the cinematographic medium / Visual arts / N1-9211
Sprache: Englisch
Französisch
Permalink: https://search.fid-benelux.de/Record/base-27310686
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://doi.org/10.4000/map.4092

Through the comparison of the choices and the difficulties encountered by the British, Belgian and French colonizers when setting up propaganda systems, this article aims to define a transnational conception of the cinematographic medium. Indeed, the syntheses of the propaganda systems set up in Europe and the reports on the experiments carried out in the colonies reveal a number of recurring preconceptions: cinema as a vector of universally decipherable messages; cinema as a form of direct access to the viewer’s subconscious; cinema as a form of expression of a “European technological superiority”.