Literary and Theatrical Circulations in the Democratic Republic of Congo, Rwanda and Burundi, from the Belgian Colonial Empire to the Africa of the Great Lakes
International audience ; This article on literary and theatrical circulations in Africa's Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation. ; Ce... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2016 |
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HAL CCSD
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Schlagwörter: | Democratic Republic of the Congo / Great Lakes region of East Africa / Artistic circulations / Contemporary theatre / [SHS.LITT]Humanities and Social Sciences/Literature / [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-27307044 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://hal.archives-ouvertes.fr/hal-01540067 |
International audience ; This article on literary and theatrical circulations in Africa's Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation. ; Cet article portant sur les circulations littéraires et spectaculaires dans l'Afrique des Grands Lacs commence par retracer l'histoire de ces pratiques à travers quelques exemples issus de la période coloniale. Il s'attache ensuite à analyser les modalités contemporaines de circulations des textes (via des procédés tels que la reprise de motifs narratifs et l'adaptation) et de circulation des acteurs culturels dans les différents réseaux transfrontaliers de création artistique plus ou moins liés au secteur humanitaire ou à la coopération internationale. Il s'achève en proposant un questionnement critique sur le concept de circulation artistique.