Stained glass and the (re-) creation of an ideal past: the Mayer van den Bergh collection in Antwerp around 1900
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass panels, mainly Southern Netherlandish roundels from the Early Modern period. As an internationally active private collector in the late nineteenth century, Fritz Mayer van den Bergh (1858-1901) maintained close contacts with art dealers, museum professionals and other private collectors from various European countries. In the eventual museum, the collector’s mother Henriëtte van den Bergh (1838-1920) integrated the stained-glass panels into the decorative scheme of its historicizing interiors. This... Mehr ...
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Dokumenttyp: | journalarticle |
Erscheinungsdatum: | 2015 |
Verlag/Hrsg.: |
Instituto de História da Arte
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Schlagwörter: | Arts and Architecture / Private Collecting / Integrated display / Catholic Revival / Belgian neo-Gothic movement / Historicism |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-27304187 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://biblio.ugent.be/publication/5721995 |