French portraits; being appreciations of the writers of young France
Introduction.--Paul Verlaine.--Stėphane Mallarmė.--The Belgian renascence: Camille Lemonnier. Maurice Maeterlinck. Êmile Verhaeren. Georges Eekhoud. Georges Rodenbach. Max Elskamp and Fernand Severin.--The last of the Parnassians: Catulle Mendès.--Jean Moréas and his disciples.--The new poetry: Free verse. Adolphe Rettė. Henri de Rėgnier, Stuart Merrill and Francis Vielė-Griffin. Emmanuel Signoret and Albert Samain.--The paganism of Pierre Louys.--Jean Richepin and the vagrom man.--The Christ of Jehan Rictus.--Maurice Barrès and egoism.--Fables, ballads, pastorals: Jules Renard. Paul Fort. Fra... Mehr ...
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Dokumenttyp: | Text |
Erscheinungsdatum: | 1913 |
Verlag/Hrsg.: |
New York
M. Kennerley |
Schlagwörter: | Belgian literature / French literature |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-27301608 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | http://hdl.handle.net/2027/mdp.39015030094141 |
Introduction.--Paul Verlaine.--Stėphane Mallarmė.--The Belgian renascence: Camille Lemonnier. Maurice Maeterlinck. Êmile Verhaeren. Georges Eekhoud. Georges Rodenbach. Max Elskamp and Fernand Severin.--The last of the Parnassians: Catulle Mendès.--Jean Moréas and his disciples.--The new poetry: Free verse. Adolphe Rettė. Henri de Rėgnier, Stuart Merrill and Francis Vielė-Griffin. Emmanuel Signoret and Albert Samain.--The paganism of Pierre Louys.--Jean Richepin and the vagrom man.--The Christ of Jehan Rictus.--Maurice Barrès and egoism.--Fables, ballads, pastorals: Jules Renard. Paul Fort. Francis Jammes.--The new Erasmus: Marcel Schwob.--Naturism and Saint-Georges de Bouhélier.--Men of letters and anarchy.--The new criticism: Ernest La Jeuness. "In the gentlemanly interest": Hugues Rebell. M. le comte de Montesquiou Fezensac.--Index. ; Mode of access: Internet.