Portrait of liberal chaos: RT’s antagonistic strategic narration about the Netherlands

Hostile political actors can use antagonistic strategic narration as a means of marring the image of targeted states in the international arena. The current article presents a content analysis of narratives about the Netherlands that were published by Russian state-sponsored media outlet RT between 2018 and 2020, capturing a period of heightened tension between the states. The authors distil and describe six overarching narratives used to portray the Netherlands as a state of liberal chaos. They analyse them using a framework of strategies underpinning Russian state-sponsored media’s narration... Mehr ...

Verfasser: Hoyle, Aiden
van den Berg, Helma
Doosje, Bertjan
Kitzen, Martijn
Dokumenttyp: Artikel
Erscheinungsdatum: 2021
Reihe/Periodikum: Media, War & Conflict ; volume 16, issue 2, page 209-227 ; ISSN 1750-6352 1750-6360
Verlag/Hrsg.: SAGE Publications
Schlagwörter: Political Science and International Relations / Sociology and Political Science / Arts and Humanities (miscellaneous) / Communication
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-27235313
Datenquelle: BASE; Originalkatalog
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Link(s) : http://dx.doi.org/10.1177/17506352211064705

Hostile political actors can use antagonistic strategic narration as a means of marring the image of targeted states in the international arena. The current article presents a content analysis of narratives about the Netherlands that were published by Russian state-sponsored media outlet RT between 2018 and 2020, capturing a period of heightened tension between the states. The authors distil and describe six overarching narratives used to portray the Netherlands as a state of liberal chaos. They analyse them using a framework of strategies underpinning Russian state-sponsored media’s narration, and interpret their strategic functions within the context of recent Dutch–Russian relations. Finally, they provide directions for future research, such as expanding on nuances within Russian media’s negative portrayals of different states or exploring the possible psychological responses this narration may elicit in the Dutch domestic audience.