This article approaches post-war housing innovation in the Netherlands from a feminist perspective, shedding light on the hitherto unkown roles played by women architects. It introduces the work of Dutch women architects, some of it acknowledged at the time of its creation, some completely unknown. First, Augustine Schreuder-Gratama, one of the first female students in Delft in the 1920s, and the Women Advisory Committee (VAC) for social housing ?specifically their role as model homes exhibitions developers in the context of housing industrialisation in the 1950s, in which other organizations have been considered pioneer. Then work of Luzia Hartsuyker-Curjel from the democratization period including the second feminist wave in the 1970s and 1980s is presented. Amongst others, she proposed a ‘non-hierarchical dwelling’ based on feminist critique of the nuclear family home. Finally, the article presents the work of Ineke Hulshof in the 1990s and early 21st century. To conclude, this article argues that their contribution to the evolution of architecture in the Netherlands is underestimated and their role in housing innovation should be better articulated as part of the architectural records. ; Este artículo aborda la historia (e historias) en innovación en el diseño de viviendas en los Países Bajos desde la posguerra, y en ella, el rol desempeñado por algunas arquitectas. El texto recoge el trabajo de varias arquitectas holandesas, algunas reconocidas en su momento, otras completamente desconocidas. Primero, Augustine Schreuder-Gratama, una de las primeras estudiantes en Delft en los años 20, y el Comité Asesor de Mujeres (VAC) para la vivienda social, y concretamente, su rol como promotoras de exposiciones de viviendas en el contexto de la industrialización de viviendas en los años 50, en el que otras organizaciones han sido consideradas pioneras. La obra de Luzia Hartsuyker-Curjel representa el período de democratización durante los 70 y los 80. Entre otras cuestiones, la arquitecta propuso una “vivienda no ...