Landhuis De Hoeve (1913) van Robert van ’t Hoff. Het Hollandse landhuis en de Moderne Beweging

This article seeks to determine the significance of the De Hoeve country house in the oeuvre of Robert van ’t Hoff (1887–1979), and in what way the design contributes to the development of a vernacular building style in the early history of the Modern Movement in the Netherlands. In De Hoeve, erected outside the built-up area of Noordwijk-Binnen in 1913, Van ’t Hoff explored the possibilities of combining the English country house style with a national (Dutch) building style. He borrowed the aesthetic of the farmhouse buildings in the surrounding area and translated it into a country house wit... Mehr ...

Verfasser: Dolf Broekhuizen
Dokumenttyp: Artikel
Erscheinungsdatum: 2016
Reihe/Periodikum: Bulletin KNOB, Pp 1-17 (2016)
Verlag/Hrsg.: KNOB
Schlagwörter: Architecture / NA1-9428 / Architectural drawing and design / NA2695-2793 / History (General) and history of Europe / D
Sprache: Englisch
Niederländisch
Permalink: https://search.fid-benelux.de/Record/base-27100190
Datenquelle: BASE; Originalkatalog
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Link(s) : https://doi.org/10.7480/knob.115.2016.1.1176

This article seeks to determine the significance of the De Hoeve country house in the oeuvre of Robert van ’t Hoff (1887–1979), and in what way the design contributes to the development of a vernacular building style in the early history of the Modern Movement in the Netherlands. In De Hoeve, erected outside the built-up area of Noordwijk-Binnen in 1913, Van ’t Hoff explored the possibilities of combining the English country house style with a national (Dutch) building style. He borrowed the aesthetic of the farmhouse buildings in the surrounding area and translated it into a country house with a modern floor plan geared to comfort and pleasurable living. For the family of the client, the Leiden publisher H.E. Stenfert Kroese, he created a salubrious living environment that specifically sought to connect with the place (road, landscape, farms), local building practices (farmhouse, brickwork, thatched roof) and a healthy family life in the countryside. In the early decades of the twentieth century, these Arts and Crafts principles offered a guideline for an alternative to the Revival styles and for the search for a new, contemporary architecture appropriate to the region. This design by Van ’t Hoff is of significance for the history of modern architecture in the Netherlands because an analysis of the country house reveals that this future member of the avant-garde’s quest for a new, modern architecture, had a lot to do with building on tradition. De Hoeve shows that the contrast between tradition and modernity within the Modern Movement was much less marked than some writers have previously supposed. The fact that Van ’t Hoff did not include the country house in his list of works, and in so doing tried to influence the historical record, is typical of Modern Movement architects, who preferred to write their own history. Now that we know how he approached the design of the De Hoeve country house in 1913, it is time for a reinterpretation of Van ’t Hoff’s other early works: the De Lindt country house (later renamed ...