The paintings of the hermit saints of Puebla, Mexico belong to a series of thirteen canvases based on the Flemish engravings of Maarten de Vos and on themes derived from the Vida Antonii. These scenes, characterized by forested environments, show a number of anchorites organized in lauras, and others in the postures of strict penance, characteristic of primitive monasticism. The comparison of these works with biographies shed light upon the iconological reading of the works and made it possible to identify what was included and omitted from the pictures. However, two distinct stylistic groups were observed in the creation of the works, as well as paintings that had been created by several authors, among them Diego de Borgraf. ; Los santos ermitaños de Puebla, México, pertenecen a una serie de trece lienzos basados en los grabados flamencos de Maarten de Vos y en temas derivados de la Vita Antonii. Estas escenas, caracterizadas por entornos boscosos, muestran a ciertos anacoretas organizados en lauras y a otros en la estricta penitencia propia del monacato primitivo. La comparación de estas obras con biografías facilitó la lectura iconológica y la identificación de incorporaciones y omisiones pictóricas. Sin embargo, en la manufactura se observan dos grupos estilísticos y cuadros intervenidos por varios autores. Uno de ellos, Diego de Borgraf.