Judgment of Paris

The shepherd, Paris, was called on to resolve Minerva, Venus and Juno's argument as to which of them was the most beautiful goddess of all. Paris, son of Priam, was to give a golden apple with the inscription "to the most beautiful" to the one he considered most deserving. The shepherd sits under a tree, thinking, while the Gods' messenger, Mercury, brings the golden fruit of discord. The goddesses attempt to sway his judgment with their offerings: Minerva, with armor and an owl, announces his success at war, Venus, accompanied by Cupid, offers him the most beautiful woman, and Juno, identifie... Mehr ...

Verfasser: Peter Paul Rubens
Dokumenttyp: Image
Schlagwörter: Painting / Baroque / 17th century / Flemish / mythology / mythological figure / figures / goddess / goddesses / Venus / golden apple / Juno / Minerva / peacocks / Cupid / Trojans / princes / shields / helmets / shepherds / Hermes
Sprache: unknown
Permalink: https://search.fid-benelux.de/Record/base-27090428
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : http://digital.libraries.psu.edu/cdm/ref/collection/arthist2/id/135274

The shepherd, Paris, was called on to resolve Minerva, Venus and Juno's argument as to which of them was the most beautiful goddess of all. Paris, son of Priam, was to give a golden apple with the inscription "to the most beautiful" to the one he considered most deserving. The shepherd sits under a tree, thinking, while the Gods' messenger, Mercury, brings the golden fruit of discord. The goddesses attempt to sway his judgment with their offerings: Minerva, with armor and an owl, announces his success at war, Venus, accompanied by Cupid, offers him the most beautiful woman, and Juno, identified by her peacock, promises him grandeur. He finally chooses Venus, with whose help he kidnaps Helen, provoking the Trojan War and the wrath of the other goddesses, as is told in Homer's Iliad (Iliad, XXXIV-XXV). Rubens painted this work at the end of his life, modeling Venus after his second wife, Helene Fourment. It is thought that the landscape was painted by Lucas van Uden. The Cardinal Infante commissioned this work for Philip IV and by 1653 it was hanging in the Buen Retiro Palace. (http://www.museodelprado.es)