Design and typography De Stijl ; Diseño y Tipografía en De Stijl
Neo-Plasticism or De Stijl gathered a heterogeneous group of artists in The Netherlands during World War I. The most important aim of De Stijl was to create a monumental art, i.e., the close cooperation of all arts without compromising each other’s essence. De Stijl intended to express the timeless (universal) in style which is eternal and makes every style style. De Stijl’s ethical and aesthetic task was aimed to renew the bond between art and life; the artists believed that by creating a new visual style they would also be establishing a new life style. ; El Neoplasticismo o De Stijl reunió... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2014 |
Verlag/Hrsg.: |
Universidad de Málaga
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Schlagwörter: | De Stijl / dutch neoplasticism / Nieuwe Beelding / Theo van Doesburg / Piet Mondrian / Gerrit Rietveld / Pieter Oud / Cornelis van Eesteren / design neoplastic / neoplastic typography / Piet Zwart / dutch art / modern movement / neoplasticismo holandés / diseño neoplástico / tipografía neoplástica / vanguardia holandesa / movimiento moderno |
Sprache: | Spanish |
Permalink: | https://search.fid-benelux.de/Record/base-27064046 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://revistas.uma.es/index.php/idiseno/article/view/12587 |
Neo-Plasticism or De Stijl gathered a heterogeneous group of artists in The Netherlands during World War I. The most important aim of De Stijl was to create a monumental art, i.e., the close cooperation of all arts without compromising each other’s essence. De Stijl intended to express the timeless (universal) in style which is eternal and makes every style style. De Stijl’s ethical and aesthetic task was aimed to renew the bond between art and life; the artists believed that by creating a new visual style they would also be establishing a new life style. ; El Neoplasticismo o De Stijl reunió a un heterogéneo grupo de artistas en los Países Bajos durante la I GM cuyo principal objetivo era crear un arte monumental, esto es, cada una de las artes podría colaborar con el resto sin traicionar su esencia. De Stijl buscaba expresar lo intemporal (universal), lo eterno y aquello que convertía a cada estilo en estilo. La tarea ética y estética emprendida por los neoplasticistas iba encaminada a renovar los lazos que unían el arte con la vida y pensaban que con la creación de un nuevo estilo visual estarían fundando también un nuevo estilo de vida.