In portuguese. and spanish, enhglish, dutch, french. singularities of portuguese azulejos within european historiography

ARTis ON - Edição especial – atas do AzLab#42 Identidade(s) do azulejo em Portugal. ; The link between Portuguese tile decorations and the notion of identity(ies) is rooted today in a very wide context, leading to the extensive use of azulejos as cultural and narrative symbols with very different aims. The purpose of the present article is go back in time, to the mid 19th century, and to debate the role played by European historiography in the emergence of the azulejo as an “identitarian” art form, considering its unique characteristics and the main moments and agents that have contributed to... Mehr ...

Verfasser: Câmara, Maria Alexandra Gago da
Carvalho, Rosário Salema de
Dokumenttyp: bookPart
Erscheinungsdatum: 2018
Verlag/Hrsg.: Artis - Instituto de História de Arte - FLUL
Schlagwörter: Azulejo / Historiografia / Identidade / Aspectos diferenciadores / Tiles / Historiography / Identity / Differentiating aspects
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-27060918
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : http://hdl.handle.net/10400.2/9180

ARTis ON - Edição especial – atas do AzLab#42 Identidade(s) do azulejo em Portugal. ; The link between Portuguese tile decorations and the notion of identity(ies) is rooted today in a very wide context, leading to the extensive use of azulejos as cultural and narrative symbols with very different aims. The purpose of the present article is go back in time, to the mid 19th century, and to debate the role played by European historiography in the emergence of the azulejo as an “identitarian” art form, considering its unique characteristics and the main moments and agents that have contributed to the creation and consolidation of this phenomenon. ; A associação da azulejaria portuguesa a uma noção de identidade(s) encontra-se hoje enraizada num contexto muito alargado, conduzindo à utilização massiva do azulejo como signo de uma cultura e servindo de narrativa para os mais diversos fins.Este artigo pretende recuar no tempo, até aos meados do século XIX, discutindo qual o papel da historiografia europeia na construção da ideia do azulejo como “arte portuguesa”, considerando sobretudo os aspectos distintivos que foram sendo apontados ao longo dos anos, e observando os principais momentos e agentes que contribuíram para a criação e consolidação deste fenómeno. ; This study was funded by Fundação para a Ciência e Tecnologia (FCT-Portugal) with a postdoctoral grant owned by Rosário Salema de Carvalho (SFRH/BPD/84867/2012), supported by the European Social Fund through the Human Capital Operational Programme (HCOP), and by national funds from the Ministry of Science, Technology and Higher Education ; info:eu-repo/semantics/publishedVersion