La représentation de la musique et de la danse dans les œuvres de Post et Wagner : une archéologie des musiques noires au Brésil

The relatively brief period of Dutch colonization in Pernambuco (1630-1654) corresponds to an exceptional documentary undertaking driven by Jean-Maurice de Nassau. Frans Janzsoon Post, responsible for the painting of landscapes, villages and their inhabitants, often represented Black drummers accompanied by a few dancers. Here, we attempt to define a recurrent motif in the corpus of these works, belonging to the Dutch Golden Age. A gouache from the adventurer Zacharias Wagner completes the collection. By comparing art history analysis concerning the place of music in contemporary Dutch paintin... Mehr ...

Verfasser: Jean-Pierre Estival
Dokumenttyp: Artikel
Erscheinungsdatum: 2014
Reihe/Periodikum: Journal de la Société des Américanistes, Vol 100, Iss 1, Pp 69-100 (2014)
Verlag/Hrsg.: Société des américanistes
Schlagwörter: historical ethnomusicology / Dutch colonization / Post (Frans Janzsoon) / Wagner (Zacharias) / musical iconography / History of Civilization / CB3-482
Sprache: Englisch
Spanish
Französisch
Permalink: https://search.fid-benelux.de/Record/base-27017429
Datenquelle: BASE; Originalkatalog
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Link(s) : https://doi.org/10.4000/jsa.13712