Modern Angels: The Art of Crossing Over [Video Screening] Conference Presentation

Wallace, R. (2016) Modern Angels [Video Screening]: a documentary exploration of transdermal, body art and body modification in the Kingdom of Belgium.Video screening to: Trans-States: the Art of Crossing Over, The University of Northampton, 09-10 September 2016. Documentary video by Roy Wallace In this video, I will examine aspects of ‘body ritual’ as a means of expression and resistance to prevailing dominant cultural and how ancient ritualistic practices have evolved into mainstream art forms and anti-religious symbolic resistance at the second millennium of Christ. The work will explore is... Mehr ...

Verfasser: Wallace, Roy
Dokumenttyp: other
Erscheinungsdatum: 2016
Verlag/Hrsg.: We Make Things Happen
Schlagwörter: Documentary / DIY video / body art / Body Hanging / body manipulation / Body Piercing / body / All Tribe / Belgium
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-26965760
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://pure.northampton.ac.uk/en/publications/6b8e8738-d160-4b7c-ace9-90b59a8f549d

Wallace, R. (2016) Modern Angels [Video Screening]: a documentary exploration of transdermal, body art and body modification in the Kingdom of Belgium.Video screening to: Trans-States: the Art of Crossing Over, The University of Northampton, 09-10 September 2016. Documentary video by Roy Wallace In this video, I will examine aspects of ‘body ritual’ as a means of expression and resistance to prevailing dominant cultural and how ancient ritualistic practices have evolved into mainstream art forms and anti-religious symbolic resistance at the second millennium of Christ. The work will explore issues of identity and religious/spiritual belief associated with such body art practices and their symbolic meaning across different ritualistic activities including, tattoo, piercing, branding, scarification, performance and within these particular elements to further explore the nuance of practice between different approaches. The implicit theme underlying this work embraces occult practice as performance as seen through the eyes of a number of key participants active in the Belgian Underground scenes which cross-over and interconnect with a range of complimentary subcultural movements including, punk, goth, rockabilly and various sexually explicit transdermal groups who engage in ‘performance’ as both ritual and practice involving the ‘spectator’ and in my case the ‘documenter’ which poses a range of ethical and moral considerations when documenting and recording such activities, as acknowledged or unacknowledged participant. The work focuses on three main strands, tattooing, body art performance and body piercing, although at times these practices interweave there is a clear distinction between the ritual and practice. Sasson-Levy and Rapoport (2003: 379) suggest “although the human body is a vehicle of all social protest, analytical questions raised by the ‘protesting body’… have been mostly neglected.” My work in some way seeks to explore the analytical potential of the audio/visual medium to more effectively ...