Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique

The scientific examination of the Fall of Icarus of the Royal Museums of Fine Arts of Belgium in Brussels leads to the conclusion that the work is not by the hand of Pieter Bruegel the Elder, as with a second version in the Van Buuren Museum (Brussels). The painting is no doubt a copy after a lost original by the artist. The analysis of a cross-section of the paint layer and radiocarbon dating of the canvas suggest that it is an old copy. Under the worn and retouched paint layer, camouflaged by a yellowed varnish, the infrared reflectogram reveals a studious and clumsy underdrawing that is nei... Mehr ...

Verfasser: Dominique Allart
Christina Currie
Dokumenttyp: Artikel
Erscheinungsdatum: 2013
Reihe/Periodikum: CeROArt : Conservation, Exposition, Restauration d'Objets d'Art (2013)
Verlag/Hrsg.: Association CeROArt
Schlagwörter: Bruegel / Fall of Icarus / scientific analyses / underdrawing / attribution / expertise / Fine Arts / N / Arts in general / NX1-820
Sprache: Englisch
Französisch
Permalink: https://search.fid-benelux.de/Record/base-26937802
Datenquelle: BASE; Originalkatalog
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Link(s) : https://doi.org/10.4000/ceroart.2953