Notes on an idiophone used in Kabile initiation rites by the Mbae

In October, 1953, I sent to the British Museum parts of a tripartite musical apparatus used by the Mbae (Bamanga) tribe during the initiation rites known as Kabile. These were obtained shortly before I left for furlough in Europe in 1950 and I hoped on my return a year later to visit the Mbae area and obtain records of the music used for dancing in which this apparatus played a part. In 1951, however, I had to take up work in another part of Congo and have not yet been able to visit the Mbae country. It may be worth while writing a short note on the interesting idiophone seen, for comparison w... Mehr ...

Verfasser: Carrington, John F.
Dokumenttyp: Artikel
Erscheinungsdatum: 1954
Verlag/Hrsg.: International Library of African Music (ILAM)
Rhodes University
Schlagwörter: Belgian Congo / Mba (African people) / Initiation rites -- Congo (Democratic Republic) / Musical instruments -- Congo (Democratic Republic) / Idiophones / Music and dance -- Congo (Democratic Republic) / Ethnomusicology
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-26913869
Datenquelle: BASE; Originalkatalog
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Link(s) : https://journal.ru.ac.za/index.php/africanmusic/article/view/222

In October, 1953, I sent to the British Museum parts of a tripartite musical apparatus used by the Mbae (Bamanga) tribe during the initiation rites known as Kabile. These were obtained shortly before I left for furlough in Europe in 1950 and I hoped on my return a year later to visit the Mbae area and obtain records of the music used for dancing in which this apparatus played a part. In 1951, however, I had to take up work in another part of Congo and have not yet been able to visit the Mbae country. It may be worth while writing a short note on the interesting idiophone seen, for comparison with similar instruments used elsewhere in the hope that a fuller account, accompanied by musical data, may be published later.