Authenticity Revisited : the production, distribution, and consumption of independent folk music in the Netherlands (1993-present)

In ways similar to the 1960s ‘urban folk revival’ – that is, through live performance, mass mediation and sales successes – the genre of folk music rose the surface of the global music industry once more during the first decade of the new millennium. The new labels are hyphenated, as in free-folk, freak-folk, indie-folk and folk-pop, and refer to Americana and electronics as in New Weird America, American Primitivism, and folktronica. Folk music gained momentum in the mid-2000s with acts such as Fleet Foxes, Devendra Banhart, CocoRosie, Bon Iver, and most of all Mumford and Sons, who became th... Mehr ...

Verfasser: Poecke, N. (Niels) van
Dokumenttyp: doctoralThesis
Erscheinungsdatum: 2017
Schlagwörter: Folk music / indie-folk / authenticity / postmodernity / metamodernism / sociology of arts and culture / aesthetics
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-26831716
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : http://repub.eur.nl/pub/102670