This issue of P-Form features a study of Jim Dine's happening "Car Crashes," an essay on sound, the body, and articulation, and the performance text excerpts from "Slight Return" by John Jesurun and performed by Kyle Decamp, notes from "Roland Barthes and the Origins of Performance Art," and a profile on the performance group "Ballet Scientifique: Researched-Based Performance in Boston." Reviews include "The Remnant" directed by Jennifer Johnson, "No More Sweets for you" organized by Elizabeth Surbin, "Manhattan Book of the Dead" by David First, "By the Time I Get to Jaipur" by Frank Melcori, "Photographic Book Arts in the United States" by various artists, "Endurance" by various artists, "Box" by Keith Hennessy, "June Bride" by Sara Felder, "This is Where it Comes From" by Sten Rudstrom, "Tom & Sally" by Doug Kooney and Karen Stephens, "Minetta Lane-A Ghost Story" by Elanor Antin, and "The Berlin Wall: The Iron Curtain Between Public and Private" by Milan Kobout and Mari Novotny-Jones. P-Form is a periodical dedicated to the development and understanding of performance art. P-Form provides with articles, interviews, reviews and schedules responding to the performance art in Chicago.