TWO PAINTING ABOUT JULIUS CAESAR BY THE FLEMISH MARCO ANTONIO GARIBALDO IN SEVILLE ; DOS PINTURAS SOBRE JULIO CÉSAR DEL FLAMENCO MARCO ANTONIO GARIBALDO EN SEVILLA

In a Private Collection in Alcalá de Guadaíra, there are two Seventeenth Flemish paintings, exceptional for their themes, “The presentation of Pompeyo’s crown to Caesar” and “The Apotheosis of Caesar”. They are unusual themes in the Flemish tradition, which justifies (or proof) the participation of a Constituent to choose those themes. The painter was Marco Antonio Garibaldi, who born in Antwerp but with a distant Italian origin. There are just a few data in his biography. Instead, some of his paintings, which can’t deny the influence of Rubens, has been located in some Spanish Private collect... Mehr ...

Verfasser: Pérez López, Nerea V.
Dokumenttyp: Artikel
Erscheinungsdatum: 2011
Verlag/Hrsg.: Secreariado de Publicaciones-Universidad de Sevilla
Schlagwörter: Garibaldi / Julio César / Pintura flamenca / siglo XVII / Alcalá de Guadaira / Julius Caesar / Flemish Painting / XVII century
Sprache: Spanish
Permalink: https://search.fid-benelux.de/Record/base-26705666
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://revistascientificas.us.es/index.php/LAB-ARTE/article/view/19072

In a Private Collection in Alcalá de Guadaíra, there are two Seventeenth Flemish paintings, exceptional for their themes, “The presentation of Pompeyo’s crown to Caesar” and “The Apotheosis of Caesar”. They are unusual themes in the Flemish tradition, which justifies (or proof) the participation of a Constituent to choose those themes. The painter was Marco Antonio Garibaldi, who born in Antwerp but with a distant Italian origin. There are just a few data in his biography. Instead, some of his paintings, which can’t deny the influence of Rubens, has been located in some Spanish Private collections and International Museums. This is the first attempt to unify the Garibaldo’s Catalogue. ; En una colección privada de Alcalá de Guadaíra se localizan dos pinturas flamencas del siglo XVII que resultan excepcionales debido a su temática, La presentación de la corona de Pompeyo a César y la Apoteosis de César, trasuntos nada frecuentes en la producción pictórica de Flandes, lo que justifica la participación del comitente en la elección de los temas. Su autor es Marco Antonio Garibaldo, natural de Amberes y de lejano origen italiano. Apenas se conocen datos biográficos de este artista de influencia rubeniana, si bien se han podido localizar un conjunto de pinturas de su mano repartidas entre colecciones particulares españolas y museos extranjeros, siendo éste el primer intento de unificación de su catálogo pictórico.