Course Syllabus (SU17) COLI 331: “‘World-traveling’: Alterity and Liminality in Spike Lee’s DO THE RIGHT THING and Amiri Baraka’s DUTCHMAN”
Course Description: This semester, we’ll view Spike Lee’s 1989 Do the Right Thing and Shirley Knight’s 1966 cinematic production of Amiri Baraka’s Dutchman through the critical lenses of Maria Lugones’ notions of ‘worlds’ and ‘world-traveling,’[1] which she develops in Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions. Our task is to analyze a number of the problematics addressed in these visual works as discernible ‘world(s)’ of meaning and experience constituted by the libidinous investments, concrete practices, and ideological convictions of the human subjects who... Mehr ...
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| Dokumenttyp: | Text |
| Erscheinungsdatum: | 2017 |
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The Open Repository @ Binghamton (The ORB)
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| Schlagwörter: | ethics / gentrification / liminality / policing / race / recognition / African American Studies / Applied Ethics / Arts and Humanities / Chicana/o Studies / Communication / Comparative Literature / Comparative Philosophy / Critical and Cultural Studies / English Language and Literature / Epistemology / Feminist Philosophy / Film and Media Studies / Gender / Sexuality / and Ethnicity in Communication / Interpersonal and Small Group Communication / Mass Communication / Modern Literature / Philosophy / Philosophy of Language / Ethnicity and Post-Colonial Studies / Visual Studies |
| Sprache: | unknown |
| Permalink: | https://search.fid-benelux.de/Record/base-26692254 |
| Datenquelle: | BASE; Originalkatalog |
| Powered By: | BASE |
| Link(s) : | https://orb.binghamton.edu/comparative_literature_fac/24 |
Course Description: This semester, we’ll view Spike Lee’s 1989 Do the Right Thing and Shirley Knight’s 1966 cinematic production of Amiri Baraka’s Dutchman through the critical lenses of Maria Lugones’ notions of ‘worlds’ and ‘world-traveling,’[1] which she develops in Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions. Our task is to analyze a number of the problematics addressed in these visual works as discernible ‘world(s)’ of meaning and experience constituted by the libidinous investments, concrete practices, and ideological convictions of the human subjects who bear and circulate them. [1] Maria Lugones, Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions, Rowman & Littlefield Publishers, Inc., 2003, pp. 77-100.