De Stijl and Bauhaus ; De Stijl y la Bauhaus
Neo-Plasticism or De Stijl gathered a heterogeneous group of artists in The Netherlands between 1916 and 1917. The neoplasticists’ ethical and aesthetic task was aimed to renew the bond between art and life; the artists believed that by creating a new visual style they would also be establishing a new life style. Van Doesburg’s arrival in Weimar in April 1921, as well as other artists’ of the European avant-garde, would be crucial to the change from a teaching method and an attitude based on craftsmanship to a machine and mass production aesthetic, which would take place in 1923. ; El Neoplast... Mehr ...
Verfasser: | |
---|---|
Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2011 |
Verlag/Hrsg.: |
Universidad de Málaga
|
Schlagwörter: | De Stijl / Bauhaus / Neo-Plasticism / Nieuwe Beelding / Theo van Doesburg / Piet Mondrian / Gerrit Rietveld / Oskar Schlemmer / neoplastic design / neoplastic typography / typography and design De Stijl / Weimar / Walter Gropius / Dutch avant-garde / modern movement / Neoplasticismo / diseño neoplastico / tipografia neoplastica / tipografia y diseño De Stijl / vanguardia holandesa / movimiento moderno |
Sprache: | Spanish |
Permalink: | https://search.fid-benelux.de/Record/base-26676216 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://revistas.uma.es/index.php/idiseno/article/view/12664 |