Re-Forming Mary in Seventeenth-Century Dutch Prints

Late sixteenth- and seventeenth-century Dutch artists portrayed the Virgin Mary in an impressively diverse and iconographically complex range of themes--particularly in the easily reproducible medium of prints. Despite the widespread belief that Marian art and devotion disappeared from the Calvinist-dominated Northern Netherlands after the Reformation, prints of Mary demonstrate that the Dutch continued to venerate her, including Roman Catholics and Protestants. While some Marian prints sustained conventional Catholic modes of piety, other images reinterpreted her in a secular context to accom... Mehr ...

Verfasser: Auerbach, Elissa Anderson
Dokumenttyp: Dissertation
Erscheinungsdatum: 2009
Verlag/Hrsg.: University of Kansas
Schlagwörter: Art history / Passe / Crispijn van de / Goltzius / Heiloo / Magdalena van de / Rijn / Rembrandt Harmenszoon van / Virgin Mary
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-26675932
Datenquelle: BASE; Originalkatalog
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Link(s) : http://hdl.handle.net/1808/8554