Understanding Dutch film culture: a comparative approach
In terms of cinema attendance, the Netherlands has always differed from other European countries. During the first decade of permanent film exhibition—a crucial phase in cinema’s development as a mass medium—the movies failed to gain a firm foothold in Dutch society. After a discussion of the prevailing explanations for the low provision of cinemas in the Netherlands, this article develops a comparative analytical framework to better assess the regional dynamics at work within Dutch film culture. In particular, it looks at cinemagoing in the industrialised countryside, combining a qualitative... Mehr ...
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Dokumenttyp: | article (peer-reviewed) |
Erscheinungsdatum: | 2013 |
Verlag/Hrsg.: |
Film and Screen Media
University College Cork |
Schlagwörter: | Netherlands / Film exhibition / Cinema development / Dutch film culture / Industrialised countryside / Agro-industrial / Groningen / South of Limburg |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-26674227 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://hdl.handle.net/10468/5800 |
In terms of cinema attendance, the Netherlands has always differed from other European countries. During the first decade of permanent film exhibition—a crucial phase in cinema’s development as a mass medium—the movies failed to gain a firm foothold in Dutch society. After a discussion of the prevailing explanations for the low provision of cinemas in the Netherlands, this article develops a comparative analytical framework to better assess the regional dynamics at work within Dutch film culture. In particular, it looks at cinemagoing in the industrialised countryside, combining a qualitative examination of the local social and cultural infrastructure with a quantitative analysis of census data. The agro-industrial North Eastern part of Groningen and the mining district in the South of Limburg are singled out because in both regions we witness a very high density of film venues, suggesting metropolitan patterns in cinema attendance.