Dutch Face-ism. Portrait Photography and Völkisch Nationalism in the Netherlands
This article takes its cue from an essay by Gerhard Richter on Walter Benjamin and the fascist aestheticization of politics. It examines the portrait photography of Dutch photographer W.F. Van Heemskerck Düker, who was a true believer in the ideology of a Greater Germany. He published a number of illustrated books on the Dutch Heimat and worked together with German photographers Erna Lendvai-Dircksen and Erich Retzlaff. When considering what type of photography was best suited to capture the photographic aesthetics of the fascist nation, the article argues that within the paradigm of the Great... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2013 |
Reihe/Periodikum: | Fascism ; volume 2, issue 1, page 18-40 ; ISSN 2211-6249 2211-6257 |
Verlag/Hrsg.: |
Brill
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Schlagwörter: | Sociology and Political Science / History |
Sprache: | unknown |
Permalink: | https://search.fid-benelux.de/Record/base-26651947 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | http://dx.doi.org/10.1163/22116257-00201009 |