Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg
The paper proposes to focus on the multiple affordances and intermedial aesthetic of the cinematic tableau seen as a performative space resulting in the impression of watching a painting, a theatre stage, a shop window, a diorama, or a photo-filmic installation in which the play between stillness and motion is accompanied by a reflexive emphasis on media and the senses. Such images, described extensively by David Bordwell in his writings on the evolution of film style, are being re-evaluated through debates on the “tableau form,” “absorption and theatricality” in modern art and photography (e.... Mehr ...
Verfasser: | |
---|---|
Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2015 |
Reihe/Periodikum: | Acta Universitatis Sapientiae: Film and Media Studies, Vol 11, Iss 1, Pp 39-76 (2015) |
Verlag/Hrsg.: |
Sciendo
|
Schlagwörter: | intermedial aesthetic of the tableau shot / dutch interior in cinema / corneliu porumboiu / roy andersson / joanna hogg / Visual arts / N1-9211 |
Sprache: | Englisch |
Permalink: | https://search.fid-benelux.de/Record/base-26629015 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://doi.org/10.1515/ausfm-2015-0015 |