Articulating architecture : a speculation with the joints of choreography and architecture in Radouan Mriziga’s 55 and the Palais de la Dynastie (Brussels, Belgium)

In 2015, choreographer Radouan Mriziga (Morocco, Belgium, 1985) performed a version of his solo 55 (2014) in the Palais de la Dynastie in Brussels (2015). In it, he constructed a floor plan within a building that he leaves almost untouched, creating a moment in which choreography and architecture seemingly dialogue as equal interlocutors. This article will research when and how this moment takes place and argue that 55 and the Palais de la Dynastie come together by way of joints, physical as well as architectural. Building on poststructural theory, this text will find moments of speculation to... Mehr ...

Verfasser: D'hollander, Elias
Dokumenttyp: journalarticle
Erscheinungsdatum: 2023
Schlagwörter: Arts and Architecture / Performing Arts / Architecture / Choreography / Joints / Radouan Mriziga / Fabulation Spéculative
Sprache: Englisch
Permalink: https://search.fid-benelux.de/Record/base-26601538
Datenquelle: BASE; Originalkatalog
Powered By: BASE
Link(s) : https://biblio.ugent.be/publication/01HFE5CYN7NRQVJNEVCQ3243H6

In 2015, choreographer Radouan Mriziga (Morocco, Belgium, 1985) performed a version of his solo 55 (2014) in the Palais de la Dynastie in Brussels (2015). In it, he constructed a floor plan within a building that he leaves almost untouched, creating a moment in which choreography and architecture seemingly dialogue as equal interlocutors. This article will research when and how this moment takes place and argue that 55 and the Palais de la Dynastie come together by way of joints, physical as well as architectural. Building on poststructural theory, this text will find moments of speculation to tentatively flesh out the implications of this articulated approach to architecture, both for the Palais de la Dynastie as well as for 55.