The construction of national and foreign identities in French and Belgian postwar comics (1939-1970)

The second World War had various repercussions in the comics produced in the 25 years after the Liberation in France and Belgium: one remarkable consequence was the construction, in comics as La Bête est morte ! and Astérix, of a fictive French ethnicity which was eagerly contrasted to the stereotype of the militaristic Prussian. Despite a few comics demonstrated the positive effects of reconciliation with former enemies or of European cooperation, most comics rather clung to older stereotypes of other European people. These popular culture products offered a particular - but not always consis... Mehr ...

Verfasser: Pascal Lefèvre
Dokumenttyp: Artikel
Erscheinungsdatum: 2012
Reihe/Periodikum: Comicalités (2012)
Verlag/Hrsg.: Université Paris XIII
Schlagwörter: Belgium / Cold War / Europe / France / geopolitics / Germany / Drawing. Design. Illustration / NC1-1940 / Literature (General) / PN1-6790
Sprache: Englisch
Französisch
Permalink: https://search.fid-benelux.de/Record/base-26524026
Datenquelle: BASE; Originalkatalog
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Link(s) : https://doaj.org/article/9e6f7cbce2d04c40a19691737e411dd4

The second World War had various repercussions in the comics produced in the 25 years after the Liberation in France and Belgium: one remarkable consequence was the construction, in comics as La Bête est morte ! and Astérix, of a fictive French ethnicity which was eagerly contrasted to the stereotype of the militaristic Prussian. Despite a few comics demonstrated the positive effects of reconciliation with former enemies or of European cooperation, most comics rather clung to older stereotypes of other European people. These popular culture products offered a particular - but not always consistent - view on national identities in the post-war period